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Jada P blasts Tufab for posting Wizkid’s Grammys plaque without his permission

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A close associate of Wizkid named Tufab is said to have been the one sent to receive the package containing Wizkid’s 2021 Grammys plaque but instead of delivering it to Wiz as expected, he opted to take the photo and post it on the ‘gram for the whole world to see. He is being accused of showing “no respect” and lacking “integrity” according to Wizkid’s manager, Jada “P” Pollock.

Since Wizkid won the award for appearing on Beyoncé led “Black Skin Girl” video, fans have been anticipating the day he would flaunt recieving the plaque online but that day did not come as expected as it was a close associate (i.e Tufab) who took it upon himself to show off the Grammys plaque rather than Wizkid himself; at such Manager and baby mama to Wizkid’s third son, took to her Twitter account to air out her opinion on the matter, she tweeted: “Some people in life honestly have no respect & integrity. “Why would you be asked to deliver something and then take it upon yourself to open the box & post it. Where is the respect! . . . Just know this wasn’t COOL! @Tufab

Some hours later, Wizkid via his Instagram Story posted the plaque himself probably in a bid to clear the rift between Tufab and Jada P. Tufab himself put out a tweet assuring everyone everything is cool between him and Wizkid:

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Dekbaby shares first EP, “Next One”, on Audiomack

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Dekbaby releases his first body of work after putting out two singles, one last year (“Ibadi”) and another (“Abeg”), May 28th this year. He titles his first project—Next One. An EP comprising of 6 tracks including his debut single, “Ibadi”, which seats on the sixth position, tracklist wise. Next One mostly includes songs in which Dekbaby shares his affinity for the feminine gender but at strategic points on his debut EP, he makes sure to show his retrospective side, singing about the hustle and the dream to amass a lot of money on the first track (“Easy”) and fourth song (“Ghetto Boyz”).

While Dekbaby might have kept songwriting at a reasonable minimum, choosing not to do too much, rather using repetition to emphasise his points on the songs, he did put a lot of thoughts into writing and visualising his pain on the retrospective tracks stated above; the other songs, although are mainly about his love for women—their bodies and other attributes, contain danceable beats which would have listeners bumping their heads at the barest minimum. Heywhykeyz is the solely featured artiste on Next One, he appears on “Ghetto Boyz”.

You would do well by listening to Dekbaby’s debut project, the EP—Next One—on Audiomack.

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Sarkodie and Zlatan advise broke people to leave the “VIP” on new song produced by Rexxie

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Ghana’s finest and Zanku lord reunite on Rexxie produced song, “VIP”, spitting pompous bars with catch hook broke-shaming club goers who are not on their level socially, sternly advising them to “leave the VIP . . . Go to the regular” in order to make “space for the ballers”

As expected on a song like this, braggimg about wealth and the ability to spend at will, getting any girl of his choice is what Sarkodie brings to the table while Zlatan adds his charismatic adlibs all over the song, spicing it up with the interesting hook, a much needed flavour. Rexxie does his thing too, making a fast paced instrumental to match Sarkodie’s flow.

“VIP” can be streamed below:

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Falana release second EP, “Rising”

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Alternative fast-rising artiste, Falana, the Nigerian Canadian, release her second EP with the title of “Rising”, an exhibition of her brilliant pen game, soft spoken vocal chords, smooth sailing on LoFi productions and a journey of self-discovery and romantic love, presenting her stories to the average youth or Gen-Z if you’d call them that. Sir Dauda is the only featured singer, appearing on the second song, “Energy”.

Guitar strings, piano keys and mellow drumbeats are the go-to production instruments on Rising, fluidly blending them to create a “by the ocean” breezy cool vibe. On the third track, “Sweet Adeola” might be where Falana fully shows her musical prowess, telling the tale of a young Nigerian lady who has dreams of leaving the very populated Lagos state of Nigeria to chase her dreams and goals in the USA.

Most of the tracks contain electric production; Falana resurrecting retro ’90s vibes on Rising. Afrobeat is sought after on the gracious track “Joy” which sees her counting her blessings despite the challenges, living life without stress.

Listen to the EP:

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